Roland Barthes (1915-1980)

The Death of the Author (1968) In this work Barthes frees the literary text editionual matter from either claims of unity that might have been assertable by a reference to what the author intended. The text is and so non produced by the author but rather by the proofreader. It is lyric poem that very speaks, non the author. To write is to allow language to perform, not me. This allows the fadeless free play of meaning From Work to school text (1971) In this work Barthes suggests a difference between the traditional plan of work and his protest notion of text. Work can be seen in libraries, text is experience in the activity of production. Text places itself behind general opinion, refusing to be expressage by social norms. Text, as squeezeifier, is not the first re-create of meaning. It practices the infinite postponement of the signified. It is structured, like language, but off-centered. Text is plural. As no sign is pure, the text exists through its difference. Work is fathered by an author, text is not haunted by this process of filiation.

Authors biography, for example, is merely another text to be read. It is the language which speaks in the text, not the author. Text becomes writable when the reader is asked to work in making it. As such, text offers enjoyment/jouissance as a space for social utopia that transcends social dealing (author, reader, critic) and language relations (no language has a hold over any other) If you sine qua non to get a full essay, target it on our website: OrderEssay.net

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